A critical review on A memory in three acts: on Susan Sontag’s, Guy Debord’s, and David Harvey’s visualizations of history and time in the context of the other

Sarah Shrbaji

doi:10.21814/vista.3153

A critical review on A memory in three acts: on Susan Sontag’s, Guy Debord’s, and David Harvey’s visualizations of history and time in the context of the other

Authors

Sarah Shrbaji Lab2PT, Escola de Arquitetura, Universidade do Minho, Braga, Portugal https://orcid.org/0000-0003-4803-0535

DOI:

https://doi.org/10.21814/vista.3153

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References

Debord, G. (1970). Society of the spectacle. Rebel Press.

Harvey, D. (2009). Social justice and the city. The University of Georgia Press.

Hunguana, A. S. & Heister, A. (2012, January 11). The ghost of praça de touros ~ a photobook. The ghost of praça de touros. https://theghostofthepracadetouros.wordpress.com/

MIT Program in Art, Culture and Technology. (n.d.). Inadelso Cossa. School of Architecture and Planning Massachusetts Institute of Technology. Retrieved August 5, 2020, from http://act.mit.edu/people/guests/inadelso-cossa/

Sontag, S. (2003). Regarding the pain of others. Picador.

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Published

2021-03-29

How to Cite

Shrbaji, S. (2021). A critical review on A memory in three acts: on Susan Sontag’s, Guy Debord’s, and David Harvey’s visualizations of history and time in the context of the other. Vista, (7), e021002. https://doi.org/10.21814/vista.3153

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No. 7 (2021): January - June 2021

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