Televisualidade e a realidade dos média

Ana Velhinho

doi:10.21814/vista.2971

Authors

Ana Velhinho Artistic Studies Research Center (CIEBA), Faculty of Fine Arts, University of Lisbon

DOI:

https://doi.org/10.21814/vista.2971

Keywords:

Visual Culture, Globalization, Images, Media, Televisuality

Abstract

The shift to the twenty-first century reinforces the ongoing construction of televisuality as a regime associated to the naturalization of mass media presence in our daily lives. The limits to what we can see, record and share on the public ground of visuality get as blurry as controversial in spite of the permanent incitement of common citizens to actively contribute to the flow of images that feed the global network. This circulation sets a type of extra-screen reality processed by filters and discourses translated in real-time access. Simultaneously, the emergence of ‘reality’ genres within fiction blends all sign codes towards consumption and spectacle that feature the hyperreality in which we live in. Voyeurism and violence rapidly become part of the current patterns of sociability, casted by the immediacy and superficiality of media. These scopic regimes instill in the viewer a dual relationship with the images, which volatilizes their role and authority on the domains of representation and life.

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