The Emancipated Referent: Introductory Note

Authors

  • José Capela Laboratório de Paisagens, Património e Território, Escola de Arquitetura, Arte e Design, Universidade do Minho, Braga, Portugal https://orcid.org/0000-0003-3447-2834
  • Ana Cristina Pereira Centro de Estudos de Comunicação e Sociedade, Instituto de Ciências Sociais, Universidade do Minho, Braga, Portugal/Centro de Estudos Sociais, Universidade de Coimbra, Coimbra, Portugal https://orcid.org/0000-0002-3698-0042

DOI:

https://doi.org/10.21814/vista.3783

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Author Biographies

José Capela, Laboratório de Paisagens, Património e Território, Escola de Arquitetura, Arte e Design, Universidade do Minho, Braga, Portugal

José Capela, architect, holds a PhD with the thesis Operar Conceptualmente na Arte. Operar Conceptualmente na Arquitetura (Operate conceptually in art. Operate conceptually in architecture). He has been a professor at the University of Minho since 2000, where he teaches in the architecture and theatre courses, and is a researcher at Landscape, Heritage and Territory Laboratory (Lab2PT). He is the co-founder and co-director, with Jorge Andrade, of mala voadora, and is responsible for the set design of the company’s performances. He is the author of the installation, Windows — the official Portuguese representation at the Prague Quadrennial 2019 — for which he co-edited the W: JC + JCD catalogue, with José Carlos Duarte. He curated, with João Cabeleira, the international conference "2D/3D. producing illusion" (2021).

Ana Cristina Pereira, Centro de Estudos de Comunicação e Sociedade, Instituto de Ciências Sociais, Universidade do Minho, Braga, Portugal/Centro de Estudos Sociais, Universidade de Coimbra, Coimbra, Portugal

Ana Cristina Pereira holds a PhD in cultural studies from the University of Minho, with the thesis Alteridade e Identidade na Ficção Cinematográfica em Portugal e em Moçambique (Alterity and identity in cinematographic fiction in Portugal and Mozambique; 2019). She is a post-doctoral researcher at Centre for Social Studies (University of Coimbra), a member of the (De)othering project and a collaborating researcher at Communication and Society Research Centre (University of Minho), as a member of the CulturesPast&Present project. Her principal research interests are racism, social identity, social representations and cultural memory in film and visual culture, from a post-colonial and intersectional perspective. Between 2017 and 2019 she was a researcher for the project À Margem do Cinema Português: Um Estudo Sobre o Cinema Afrodescendente Produzido em Portugal (On the margins of Portuguese cinema: a study on Afro-descendant cinema produced in Portugal).

References

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Belting, H. (2011). An anthropology of images: Picture, medium, body. Princeton University Press. (Trabalho original publicado em 2001)

Bredekamp, H. (2015). Teoria do acto icónico. KKYM. (Trabalho original publicado em 2007)

Cantinho, M. J. (2008). O voo suspenso do tempo: estudo sobre o conceito de imagem dialéctica na obra de Walter Benjamin. Espéculo. Revista de estudios literarios. https://webs.ucm.es/info/especulo/numero39/imadiale.html

Danto, A. C. (1981). The transfiguration of the commonplace. Harvard University Press.

Foucault, M., & Deleuze, G. (1977). Intellectuals and power: A conversation between Michel Foucault and Gilles Deleuze. In D. F. Bouchard (Ed.), Language, counter-memory, practice: Selected essays and interviews by Michel Foucault (pp. 202–217). Cornell University Press.

Gell, A. (2018). Arte e agência: Uma teoria antropológica. Ubu Editora. (Trabalho original publicado em 1998)

Gracyk, T. (2011). The philosophy of art: An introduction. Polity Press.

Mitchell, W. J. T. (2005). What do pictures want? The lives and loves of images. The University of Chicago Press.

Spivak, G. C. (1988). Can the subaltern speak? In C. Nelson & L. Grossberg (Eds.), Marxism and the interpretation of culture (pp. 271–313). University of Illinois Press.

Tate. (s.d.). Marcel Duchamp: Fountain: 1917, replica 1964. https://www.tate.org.uk/art/artworks/duchamp-fountain-t07573

Published

2022-01-31

How to Cite

Capela, J., & Pereira, A. C. (2022). The Emancipated Referent: Introductory Note. Vista, (9), e022001. https://doi.org/10.21814/vista.3783

Issue

Section

Thematic Section. Introductory Note